publications 2004




Fred Sandback Prints: A Survey. Exh. brochure. New York: Susan Sheehan Gallery, 2004. Text by Andrew Ehrenworth.

Fred Sandback, 1943–2003. Exh. cat. Zürich: Annemarie Verna Galerie, 2004. Text by Gianfranco Verna.

Fred Sandback. Exh. cat. New York: Zwirner & Wirth, Lawrence Markey Gallery, 2004. Texts by Fred Sandback



À Angles vifs. Exh. cat. Bordeaux: capcMusée d’art contemporain, 2004. Texts by Maurice Fréchuret, Thierry Davila, Claude Gintz, Michel Gauthier, and Jean-Philippe Antoine.

Beyond Geometry: Experiments in Form, 1940s–1970s. Exh. cat. Los Angeles: Los Angeles County Museum of Art; Cambridge, Massachusetts: MIT Press, 2004. Texts by Lynn Zelevansky, Valerie L. Hillings, Miklós Peternák, Brandon LaBelle, Peter Frank, Inés Katzenstein, and Aleca Le Blanc.

Durchleuchtet: Dialog mit der Sammlung. Exh. cat. Vaduz: Kunstmuseum Liechtenstein, 2004. Texts by Friedemann Malsch, Christiane Meyer-Stoll, and Kristin Schmidt.

Elderfield, John, ed. Painting and Sculpture: 1880 to the Present at the Museum of Modern Art. New York: The Museum of Modern Art, 2004. 

Hoffmann, Jens, ed. Artists’ Favourites: Act II. Exh. cat. London: Institute of Contemporary Arts; Frankfurt am Main: Revolver, 2004. Statement byOlafur Eliasson.

L’Art au futur antérieur: l’engagement d’une galerie, 1974–2004. Exh. cat. Grenoble: Musée de Grenoble, 2004. Interview with Liliane and Michel Durand-Dessert by Guy Tosatto.

Marzona, Daniel. Minimal Art. Cologne: Taschen, 2004.

Pour un art concret, la donation Albers-Honegger. Mouans-Sartoux: Espace de l’Art Concret; Paris: Isthme Edition–Editions Sept, 2004. Texts by Sybil Albers-Barrier, François Barré, Gilles Clément, Rudolf Koella, Dominique Boudou, and Catherine Francblin. Interviews with Gottfried Honegger by Dominique Boudou and with Aurelie Nemours by Anne Tronche.

Siegelaub, Seth, with Marion and Roswitha Fricke. The Context of Art. The Art of Context. Trieste: Navado Press, 2004.

Singular Forms (Sometimes Repeated): Art from 1951 to the Present. Exh. cat. New York: Solomon R. Guggenheim Museum, 2004. Texts by Nancy Spector, Mark C. Taylor, Deyan Sudjic, Andrea Codrington, Bruce Jenkins, Gia Kourlas, and Drew Daniel.



“Arts and Letters.” New York Sun, April 22, 2004. Buckley, Craig. “In Full View.” Parachute, no. 113 (January–March 2004), p. 6.

“Fred Sandback.” New Yorker, May 3, 2004. “Fred Sandback.” Village Voice, April 28–May 4, 2004, p. 54.

Genocchio, Benjamin. “From a Yarn Spinner, Variations for Minimalist Strings.” New York Times, September 5, 2004, sec. 14, p. 16.

Hawkins, Margaret. “Gallery Glance. Fred Sandback at Rhona Hoffman.” Chicago Sun-Times, November 26, 2004, p. 18.

Johnson, Ken. “Fred Sandback, Lawrence Markey.” New York Times, May 7, 2004, sec. E, p. 38.

Kimmelman, Michael. “Modernism Wasn’t So American After All.” New York Times, July 2, 2004. p. E27.

McQuaid, Cate. “Finding Inspiration Beneath the Surface.” Boston Globe, November 26, 2004.

Mehring, Christine. “Landpartie. Das Dia:Beacon als nicht-New York.” Texte zur Kunst 14, no. 54 (June 2004), pp. 58–65.

“On View: Strings Attached.” New York Magazine, April 26, 2004, p. 113.

Pincus, Robert L. “Go Figure: ‘Geometry’ Doesn’t Quite Add Up.” San Diego Union-Tribune, June 27, 2004.

Rosenberg, Karen. Minimal Artists Try to Make Something Look Like Nothing And Conceptual Artists Try to Make Nothing Look Like Something, Or Is It the Other Way Around?” New York Magazine, November 22, 2004, p. 100.

“String Theorist.” New Yorker, November 22, 2004, p. 10.








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